In a very unusual move, Canon have a new firmware update out for the EOS 7D. Very cool to see a whole set of new features implemented in a free download for a camera that’s been on the market for nearly 3 years.
The update bumps up the size of the buffer for continuous shots, adds auto ISO features, and adds audio record level control.
Lensrentals’ Roger Cicala has a blog post detailing his thoughts on the new Canon 40mm “pancake” lens. Interesting reading.
I’ve been thinking for years now that it’s interesting that no DSLR maker has really implemented touchscreen technology. It seems such an obvious step, particularly given the resounding success of touchscreens on mobile phones.
So Canon have taken the first step, announcing the EOS 650D or Rebel T4i, which includes a complete touchscreen interface. It’s not a replacement for the usual buttons and knobs, but an optional way to use the camera.
They also introduced a new pair of lenses - STM or “stepper motor” lenses - which promise near-silent and smooth operation for video work.
So the Canon EOS 5D mark III has an unusual problem - light can leak from the top deck LCD can throw off the light metering in early-model cameras under low-light conditions. Roger Cicala from LensRentals details the simple fix - Canon now cover the offending component with black tape.
According to Canon USA’s Chuck Westfall, the first Canon EOS camera was introduced 25 years ago. On 17 February 1987 the EOS 650 was announced by Canon USA.
50 million cameras and a transition to digital, and the EOS design is still doing pretty well! The features ushered in by the 650 - especially the autofocus motor and electric aperture control built into the lens - have gradually been adopted by most of the SLR industry since.
EOS was a hugely controversial system from the start, because Canon took the strategic decision of abandoning their old FD mount manual focus system with its introduction. They didn’t have to. They could’ve done what Pentax did with the introduction of the K-mount: keep compatibility with the older M42 screwmount by use of adapters. Or what Nikon did: adapt its existing lens mount to autofocus.
The move to EOS certainly angered a lot of old-time Canon FD users. But by taking this forward-looking gamble the company set a pretty impressive basis for years of future growth.
Nikon has announced that its new digital SLR flagship will be the Nikon D4. After a grim couple of years - Nikon was doubly hit by the Japanese earthquake and Thai flooding - let’s hope start looking up for the company!
It’s an interesting choice of numerals. 4 is often avoided by Japanese companies because it’s the 13 of Asia: traditionally considered to be bad luck.
Anyway. The new full-frame (FX) body has only 16 megapixels, but offers video, high ISO sensitivity, and a high framerate of 10 FPS. The improved ISO and autofocus capabilities are particularly interesting.
Anglo-American photographer and Magnum member Eve Arnold died recently, age 99. The BBC and the Guardian have published brief retrospectives.
Interesting. Canon’s taking RED head-on with a new digital video camera that aims to output film-quality video. Two versions: one which takes EF (Canon EOS) lenses and one which takes PL movie lenses. Canon are also introducing a series of 4K lenses to go with it.
The Cinema EOS C300 camera is no prosumer model. It’s built specifically for professional work, and its UI and design reflects this. (and of course the price) But it’s also really compact, building on Canon’s extensive DSLR work, so it can be carried and placed in ways impossible with older heavier cameras. Combine that with high ISO (low light shooting without banks of lighting) and its wireless remote capabilities (stick the camera on a crane and control it from the ground) and you’ve got a lot of fascinating possibilities for stuff like TV production and documentary filmmaking.
So after lots of breathless rumours, Canon have announced their new flagship - the EOS 1D X. Quite an interesting development.
For one thing, the previous 1D (fast, subframe) and 1Ds (slower, full frame) product categories have been merged into a single fast unit. And for another, Canon have deliberately bucked a multiyear trend in the camera business by rejecting the megapixel race. The button-bedecked 1D X is only an 18 megapixel body (fewer than the 21 megapixel 5D mark II) but with an emphasis on improved image quality and lowered noise. Very interesting indeed!